The wooden church "Pious Paraschiva" from Stejera

Built in 1870 by the craftsmen Petruț Ioan and Petruț Grigore from Măgoaja, the wooden church "Saint Nicholas" from Costeni has a classical layout, with a porch on the west side, a narthex, a nave and a polygonal altar. The edifice is one of the largest of its kind, with a four-sided roof, a high bell tower with four smaller turrets and a pyramid-shaped coif. On the outside, the walls are decorated at the entrance portal, while inside they are whitewashed in light blue. In 2017, following a powerful storm, the church's spire collapsed. In 2020 the place began to undergo an extensive refurbishment process. 

Dating from 1892, the "Holy Emperors" church in Aspra was built of unadorned round wood. The exterior walls are covered in clay and painted in an area-specific shade of blue. Also reminiscent of the area is the layout of the edifice, which brings to mind the houses in Lăpuș County. The interior walls were whitewashed, with only the vault, the iconostasis and the balcony railing being decorated with paintings.

Built of oak wood in the 17th century, the "Pious Paraschiva" wooden church from Valea Stejarului is, due to its proportions, a classic Maramureș church. Inside, the paintings specific to Byzantine iconography, made on canvas, are preserved only in a small part. However, inside the building there are several valuable objects, such as: icons, ritual books, the triptych or the medallions on the royal doors. Photo credit: CJCPCT „Liviu Borlan” Maramureș, Rada Pavel

Erected in the 17th century, the wooden church "The Holy Archangels Michael and Gabriel" was relocated to Strâmtura in 1661 from the Rozavlea monastery. The altar, the vault and the iconostasis have been preserved in their original form, while the interior painting dates from 1775. The place houses valuable objects such as "The Homiliary of Varlaam" and glass icons made in the 18th and 19th centuries.  *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Timur Chiș

The wooden church dedicated to the Assumption of the Virgin Mary from Șieu dates from around 1717-1720, but it underwent several restoration stages in the middle of the 18th century, in the first half of the 19th century and at the beginning of the 20th  century. Some elements from the original construction have been preserved: the structure of the walls at the bottom, the old altarpieces, the openings in the interior consoles, fragments of a shutter window, the entrance to the porch and narthex, but also some old royal icons.

The oldest building that enriches the patrimony of the Maramureș Village Museum is the church, relocated here from Oncești, where it had been brought from the village of Criciova, on the right bank of the Tisza River. The archaic features of the building are highlighted by small windows, the joined two-level structure and the presence of a royal and a deacon's door. The 16th century wall paintings were restored in 1802.

The "Pious Paraschiva" wooden church in the village of Șugatag was built of oak wood and dates from 1698-1699. The proportions of the ensemble, the double-skirted roof above the narthex and nave and with single eaves above the altar, the tower with the turret protruding from the basic profile and an elongated coif with eight sides are just a few elements that include this place of worship in the typology of Maramureș wooden churches. The exterior walls are decorated with the motif of the rope, while inside only fragments of the painting that adorns the walls can still be seen.

Made of oak wood around 1639, the "Pios Paraschiva" wooden church from Sârbi Susani reveals through the shape of the roof and the passage to the sacred part, some of the most archaic features found in the Romanian sacred wooden architecture. The entrance portal, which is believed to evoke a Byzantine calendar, has survived, offering invaluable value to the church.  *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Rada Pavel

The wooden church "Saint Nicholas" from Sârbi Josani was erected around 1685 from oak on a carved stone foundation. The place belongs to the typology of the Maramureș churches, having a specific partition. The interior of the church still preserves some very old wooden icons, two of them bearing the imprint of the church pilgrim painter, Radu Munteanu. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Rada Pavel