The wooden church "The Holy Archangels Michael and Gabriel" from Mănăstirea

At the foot of the Gutâi Mountains, at the intersection of the roads that connect the towns of Baia Sprie and Cavnic, there is a beautiful hilly area, surrounded by mountains. Here, the splendor of nature's harmonies is matched only by the monumental wooden church that rises in this depression. Raised above space and time, the 54-meter tower of the church in Şurdeşti gives the feeling of complete peace between people and nature. The church was built in the middle of the 18th century by the master carpenter Macarie, whose name is preserved in a visible inscription today verandah above the porch. Initially, the place of worship had three rooms: a narthex, a nave and an altar. In the 19th century, a spectacular porch with two rows of arches was added (on the ground floor and upstairs), thus obtaining a harmonious decoration for the western part of the building. A carved belt in the shape of a rope surrounds the monument, and the entrance to the narthex is made through a portal, decorated with the same motif of the rope, but also with solar symbols. In the nave there is another unique architectural element: two columns carved in stone, which support the balcony for the choir. The monumentality of the building is underlined by the way the tower is built. To achieve the astonishing height, the carpenters build a structure with a very generous base, which rests on the wooden walls of the church.  The iconographic appearance of the Greek-Catholic Church in Şurdeşti is similar, stylistically and thematically, to that of the Orthodox Church in Plopiş. The altar was also painted by the painter Ştefan, who uses here in a unique way the theme of the council of the twenty-four elders from the Apocalypse. The nave, it seems, was painted by a certain painter named Stan. The style remains Baroque, and the theme of the semi-cylinder completes the history of the end of the world in the vision of Saint John the Evangelist, so well captured in Plopiş. In addition to the common themes, here one will find the theme of "Jacob's Ladder"; supported by the cloud surrounding the icon of the Trinity, the ladder allows angels to ascend and descend, thus mediating between God and man. The sister churches from Plopiş and Şurdeşti prove over time that the confessional difference, which appeared at the beginning of the 18th century in Maramureş, did not change the way of being of the inhabitants and did not bring radical changes in the architecture of the places of worship or in their iconography.

The rich forests in the area of ​​the Cosău River offered the people the wood used for the construction of the beautiful church in Budeşti-Josani, located about 30 km south of Sighetu Marmaţiei, in the direction of the Cavnic town. Dedicated to Saint Nicoară - the folk name of Saint Nicholas - the edifice was erected in 1642 and is part of the group of large churches in Maramureş. Erected in the first part of the 17th century, the church witnessed the rebellion against the House of Austria of the Transylvanian prince, Francisc Rakoczi. He was backed up by the famous Maramureş outlaw, Pintea the Brave (Pintea Viteazul). The revolt was defeated and Pintea was killed during the siege of Baia Mare, but the name of the beloved outlaw will forever remain linked to the church in Budeşti-Josani, where some of its chainmail are exposed. Here you can also see a flag of Rakoczi, the prince who was supported by Pintea.  The monument is located on the top of a hill, in the middle of the cemetery. A traditional Maramureş gate opens the path, guarded by the graves of the ancestors. The rich forests in the area of ​​the Cosău River provided the people wood for the construction of the beautiful church in Budeşti-Josani, located about 30 km south of Sighetu Marmaţiei, in the direction of the Cavnic town. Dedicated to Saint Nicoară - the folk name of Saint Nicholas - the edifice was erected in 1642 and is part of the group of large churches in Maramureş.  The architecture of the building is notable for its dimensions (18 meters long and 9 meters wide), the technical solution chosen to support the walls and the tiered roof. The walls and the roof are harmoniously joined, so that the two ridges of the roof surround the church, from the narthex to the altar. Also, the joints at the corners represent veritable masterpieces, extended by consoles far protruding, in order to support the flared roof. The bell tower distinguishes itself from those of other churches in Maramureș, being provided with a pavilion much extended on the outside and topped by a wrought iron cross. The main spire is flanked, at the base, by four small spires, symbolizing the Council of the Elders held in the village of Budeşti, in old days. The door of the place of worship has a monumental frame, whose ornaments include a series of carefully arranged motifs.  Iconographically, the church is a perfect example of post-Byzantine tradition – expressed by  the painting of Alexandru Ponehalschi, from 1762 - but also of Baroque influence, present in the altar painting, done in 1812 by Ioan Opriş. The south wall of the nave stands apart thanks to the image of the prophet Elijah (Ilie) ascending to heaven in a chariot of fire. Visitors shall discover in Budeşti-Josani an important collection of wood carved and glass icons, dating from the 17th and 18th centuries, which are striking through their harmony of colors and the simplicity of the lines. One of them is inscribed with the following text: "This icon was made by the too-sinful George".

The "George Pop de Băsești" Memorial Museum was first opened to the public in 1976. Arranged right inside the architectural masterpiece that was erected between 1885-1890 and which belonged to the President of the Grand National Assembly in Alba Iulia, George Pop de Băsești, the memorial museum was recently restored and reintroduced into the sightseeing tour. For about three decades great political figures of the time met at the residence of George Pop's family, including: Vasile Lucaciu, Vasile Goldiș, Ion Rațiu, Nicolae Iorga, Nicolae Filipescu, Iosif Vulcan, Vasile Braniște, Iuliu Maniu, Teodor Mihali and others.  Inside the memorial museum, visitors can discover the documentary-historical exhibition "George Pop de Băsești and the Great Union of Romanians", which emphasizes the importance of the illustrious political leader in the fight for national unity, but also pieces of furniture and antiques, which recreate the ambiance of the times when the leader of the Great Union put all its knowledge and skill in the fight for the rights of the Transylvanians. Among the valuable pieces exhibited here, some have been found in the patrimony of the Museum of History and Archeology of Maramureș. The collection was completed by the joint effort of other museums in Cluj, Sălaj and Satu Mare, as a result of which the institution's patrimony was enriched with numerous relevant materials, related to the name of this prominent figure of the Transylvanian intellectuality.

Wandering around this town  In the place where the map is pined. Although our thoughts come rushing in heads, when we think of all the sights in Sighetu Marmatiei, the Memorial to the Victims of Communism and Resistance stands out, first of all because here one can still hear the silent cry of suffering endured by those who fell prey to the injustices of a dictatorial regime. Each cell of the former prison was arranged as a museum hall, describing chronologically or thematically the terror of the communist regime. In one of the memorial courtyards one can visit a Space of Recollection and Prayer, built in memory of the almost 8000 detainees who were taken to prisons, camps and deportation facilities in Romania. The museum houses several works of art that ennoble the space and amplify the deeply emotional experience that visitors to this place feel, the largest work being the statuary group called the "Sacrifice Procession" (Cortegiul Sacrificaților). The museum also includes the Cemetery of the Poor, where it is said that 54 detainees were buried. It is surrounded by fir trees laid out in the shape of Romania, and at the point where the town of Sighetu Marmației is found on this map, an altar-cenotaph has been erected, behind which a magnificent Byzantine-style cross was placed.  Among the gems of the Sighetu Marmației museum, we find the departments of the Maramureș Museum, an institution under the aegis of which are found some of the most interesting collections. No visitor to Maramureș can miss the opportunity to admire a true example of traditional local architecture, comprised of over 40 heritage objects exhibited in the Maramureș Village Museum. This experience must be completed by visiting the Ethnographic Museum of Maramureș, whose collections enrich the traditional image of the villages of Maramureș. The foray into the natural richness of the Maramureș Depression can be truly impressive, highlighted by the valuable exhibits of plants, vertebrates, fungi, minerals, rocks and fossils, found in the Department of Natural Sciences. We also suggest a time travel, which goes back to the Neolithic and is made possible by exploring the museum of the Department of History and Archeology. The next stop is the Department of History of Culture - Memorial - Art - Dr. Ioan Mihalyi de Apşa Museum House, right in the building where the great Romanian historian lived and created his work. Of course, we cannot forget the Museum of Jewish Culture and Civilization in Maramureș - Elie Wiesel Memorial House, and we invite you to cross the threshold of the house, where the famous novelist, playwright, essayist and memorialist and Nobel Peace Prize winner lived up to the age of 15. The Jewish cemetery, the largest of the 52 existing in Historic Maramureș, also reminds us of the Jewish culture. It houses tombstones that are hundreds of years old, as well as the famous Soap Monument, erected in memory of Jews who ended up in Nazi extermination camps. We know that many of the sites already proposed can be overwhelming, as only a cold-hearted person could remain indifferent to the torments of those times that are not long gone by, which is why we offer you some suggestions of recollection, in the most beautiful holy places in Sighetu Marmației. The Ukrainian Church of the Exaltation of the Holy Cross (Înălțarea Sfintei Cruci), the Piarist Monastery, the Church of the Assumption (Adormirea Maicii Domnului), the Reformed Church and the New Sephardic Synagogue are some of the centuries old places of worship that promise to take the burden of an unhealthy history off your shoulders and introduce you to the cultural and spiritual variety of the area.  A special place among the attractions of the city is held by architectural monuments which, however numerous, seem to be constantly competing for the tourist’s attention.  The Comitatens Court, Reduta Palace, Astra Cultural Palace, Szabó Aurel Palace, Caryatid House, the office of the Freemasonry Lodge, Darvay House, as well as the Pedagogical High School buildings, Dragoș Vodă, Leowey Klara and Taraș Sevcenko, are some of the architectural gems that combine styles, visions and many stories passed down through the hourglass of time. When the mist of current threats ceases to overwhelm us, you will be able to fully enjoy the cultural life of Sighetu Marmației, which boasts two fairytale-like festivals. The "Aeternus Maramorosiensis" Ancient and Medieval Festival reproduce an ancestral atmosphere, through a varied program, including pyrotechnic performances, concerts, competitions and exhibitions. The second event with tradition here is the "Marmaţia" Festival of Winter Traditions and Customs, a unique opportunity to get acquainted with the way Maramureș locals prepare for, feel and enjoy the most beautiful holiday season of the year.   After all these experiences, we want to end in a happy register and we invite you to see with your own eyes the nail on which the map hangs, a monument about two meters high, which plastically reproduces the reputation of Sighetu Marmației, known as "the place where the map hangs from the pin"„locul în care se agață harta-n cui”.. If you have stayed by our side this far, all we have to do is tell you that hosting guests suits us best and the traveler should be well on his way. In other words, we look forward to seeing you!

By far one of the most famous tourist attractions of Maramureș County, the Merry Cemetery in Săpânța is a unique place in the world, which fades away the boundaries between the worlds and brings a glimpse of optimism over the perception of death, and removes the element of classic tragedy. Becoming, once with the increasing awareness, a veritable open-air museum, the cemetery that replaced the oppressive gray of the funerary monuments by the already famous "Săpânța Blue", surprises at every step. The specificity of the Merry Cemetery is given by the fruit of the lifelong work of the carpenter Stan Ioan Pătraș, from whose gifted hands genuine artwork was created. After the passing of the master cross-maker, his legacy is carried on by his successor, Dumitru Tincu Pop, who continues his work. About 800 crosses, brightly colored and carefully carved, complete this valuable heritage site. In addition to the specific colors and unique bas-reliefs, what make the crosses remarkable are the epitaphs describing  sometimes in a funny register, events from the life of the deceased. 

Anyone who visits the land of Maramureș must board the train that puffs and meanders slowly on the Vaser Valley. This narrow-gauge railway used for transport of woods in Maramureș County is located in northern Romania, close to the border with Ukraine and stretches over an area of 46.3 km. The steam train in the Vaser Valley attracts thousands of tourists every year, willing to experience a journey, as it was almost 100 years ago, when the old locomotive was built, being recognized as the last forest railway powered by steam. In fact, in addition to the tourist component, the steam train still serves its original purpose to this day, namely the transport of wood. The route of the steam train starts in the Vişeu de Sus Railway Station, which has been operating since 1930. At kilometer 21.6 of the forest railway, the train stops at Paltin station, giving tourists enough time for a picnic or a short hike, before returning to the starting point.

The Stephen’s Tower, located in the immediate vicinity of the Liberty Square (Piața Libertății), served as the bell tower for the former church dedicated to the "Holy King Stephen", which dates from 1347, but which was officially inaugurated only in 1387. The construction of the massive stone tower was ordered by John Hunyadi (Ioan de Hunedoara), after the victory in Ialomița against the Ottomans. In 1468, more than two decades after the beginning of the works, the tower was completed. Over time, the tower would undergo several stages of restoration and rehabilitation, the last of which restored the building to its current appearance in 2013. The moon clock, which completes the medieval character of the monument that is 50 m high, was installed in 1628, and it also underwent a vast process of rehabilitation. The bell, although cast in a foundry in Arad about five centuries ago, found its place in the tower only in 1925. A total of 165 narrow stairs, some of which made of stone and some of wood, allow access to the steeple at the top of the tower, which reveals an unparalleled view of Baia Mare.

One of the most appreciated tourist objectives of Maramureș is the Rooster’s Ridge Reserve. The formation of volcanic rocks, which have made their way to the surface in the high area of ​​the Gutâi Mountains and which from a distance resembles a rooster’s crest, reveals a beautiful panorama over the vast mixed forests and areas of juniper and mountain pastures. Extremely generous in terms of habitat, but also of activities and sports that can be practiced outdoor, the Rooster’s Ridge Reserve was, still is and will remain one of the favorite destinations of tourists visiting the county.

The road from Baia Mare to Sighetu Marmaţiei crosses the Gutâi Mountains, passing through the township of Deseşti. On these lands stands one of the most important churches of Maramureş, not far from the sources of the Mara River. Erected in 1717 - according to other sources, in 1770, on the site of an older one, this place of worship was dedicated to the Pious Paraschiva and was painted around 1780 by Radu Munteanu and Alexandru Ponehalschi. The architecture of the building is in line with that of the traditional churches of Maramureș, the harmony of its proportions strengthening the impression of simplicity and elegance, specific to these monuments. The upper beams that support the frame are carved in the shape of a ladder, giving the ensemble a special line. The layout of the place of worship comprises a rectangular main body - which, on the outside, resembles the layout of a hall-type church - which consists of a narthex and a nave, continued by the detached altar. The nave has a semi-cylindrical vault and double eaves. Above the ceilinged narthex rises the bell tower with a sharp coif, the entire architectural ensemble being supported on a stone pedestal. Access to the interior of the building is done through a portal inlaid with geometric and vegetal decorative motifs, but also with the element of the twisted rope, a symbol of Christian unity. The exceptionally well-preserved painting has undergone a complete restoration, giving the monument its original appearance. The iconographic themes of Deseşti are common to all churches with post-Byzantine paintings, but here they can be observed much more easily. The narthex develops the theme of the Last Judgment, and here - but also at Poienile Izei - the moralizing valences of this theme can be easily identified. If in the art of Byzantine tradition of previous centuries the main characters painted in Hell were heretics and persecuting emperors, here we can easily see how the theological valences of the scene diminish, carnal sins prevailing over faith sins. Thus, the one who steals land without respecting the border, the one who steals taking advantage of his job as a miller or merchant, or the one who destroys families, become the main characters in scenes that show us a Hell full of torture tools used in the Middle Ages. The value of the monument lies in its technical construction, in the perfect science of execution and assembly of wooden elements. The architectural harmony and the perfect integration of the wooden decorative elements with the iconographic ones created an ensemble of remarkable simplicity and elegance.