The Maramureș Hutsuls Collection

The wooden church "Saint Nicholas" dates from the 18th century. The monograph of the Lăpuș Archdiocese records the fact that the church was offered as a gift to the faithful people living in Boiereni by those from Suciu de Jos, in 1882. The oak edifice is modest in size, being covered with shingles, and the turret with galvanized sheet metal. Inside, the original painting has been preserved on the vault, in the nave and altar.

The wooden church "St. Elijah" in Posta dates from 1675 and is part of the typology of Maramureș churches by its harmonious proportions. Four oak pillars support the porch, while the roof highlights the turret, which is 30 m high. The crosses on top of the turrets are also adorned with the crescent moon symbol, which evokes the Turkish influence. Inside, on the vault, visitors can admire several scenes from the painting made in 1781. The holy doors of the church, adorned with floral motifs, are also of particular beauty.

Erected in the 19th century, the wooden church "The birth of the Blessed Virgin" has undergone several restoration processes, being covered in shingles and renovated on the outside in 2001. The church turret is only 12 m high, being provided with a closed steeple, above which rises a pyramidal coif with a cross at the top. The interior painting was made in 1862 by the painter Paul Weisz from Baia Mare, being preserved in good condition.

The wooden church "The birth of the Virgin Mary" from Călinești Căieni was made in 1663 from oak wood and later on, in the 19th century, was extended using fir wood. The interior of the church stands out through the set of murals made by Alexandru Ponehalschi.

The church dedicated to the "Ascension of the Lord" was built of wood, in 1992, according to the architectural specifics of the Maramureș churches. The cross-shaped place of worship has a narthex, nave and altar, being covered with shingles and having a tower with a long coif on top. Inside, the magnificent edifice houses an iconostasis carved in oak and adorned with Byzantine icons.

The wooden church "Assumption of the Virgin Mary" from Călinești Susani was erected in 1758, unusual among the wooden churches of Maramureș, its forms rather revealing Moldavian influences. The interior still preserves some fragments of the murals made in 1788. 

The wooden church "The Holy Archangels Michael and Gabriel" in Răzoare dates from 1731, the painting of the interior walls, which can be attributed to Petre Diacul from Preluca, being made in 1759. The place of worship has a classical layout, consisting of porch, narthex, nave and a polygonal altar, with a bell tower with a steeple, over which rises a coif with a square base, rounded at the top. The exterior decoration, with geometric motifs, more highlighted at the level of the porch.

Dintr-un muzeu care redă viața satului maramureșean, nu putea lipsi simbolul credinței strămoșești. Așadar, vizitatorii se pot reculege într-o biserică de lemn, ridicată în anul 1630 și adusă aici din satul Chechiș, în 1939. Fiind o biserică "în cult", aici se săvârșesc slujbe religioase în fiecare duminică și în zilele de sărbătoare. Biserica poartă hramul Sfântului Mare Mucenic Gheorghe Purtător de Biruință și adăpostește icoane pe lemn din secolul 18, precum și icoane pe sticlă din secolul 19. Odată cu prăznuirea acestui sfânt, Muzeul Satului Baia Mare își deschide porțile pentru vizitatori. Această biserică a fost inclusă de către Centrul Județean pentru Conservarea și Promovarea Culturii Tradiționale "Liviu Borlan" Maramureș în proiectul său Biserici din Țara Chioarului.TururiVirtuale. Troița de lângă biserică a fost sfințită în 2019 și este decorată cu motive tradiționale specifice Maramureșului: funia, copacul vieții, simboluri astrale.

The Butchers' Bastion is one of the seven bastions built about half a millennium ago, as part of the system of fortifications aimed at defending the medieval city of Baia Mare. Each such bastion was entrusted to a guild, and because the butchers 'guild was the most numerous and because this bastion guarded one of the most important entrance gates to the fortress, namely the southern one, it was called the Butchers' Bastion. This tower is also known as the Ammunition Bastion, as for a time, one of its rooms served as a place to store ammunition to protect the fortress from outside attacks. The death of the legendary outlaw Pintea Viteazul is also linked to the Butchers' Bastion. Thus, during the anti-Habsburg uprising of 1703, he was shot right next to the city's Southern Gate. Over time, the tower would undergo several restoration processes, being rebuilt in 2009-2011, as part of an extensive project. Today, the Bastion is on the list of historical monuments of national value and hosts exhibitions and fairs with ethnographic and folklore themes, immersing visitors into the troubled past of this old medieval city.