The spindle on Babelor Hill

The Limpedea Columns Nature Reserve is located in the Ferneziu neighborhood of the city of Baia Mare. The site is a geological nature reserve, declared a protected area of ​​national interest in 2000. The volcanic rock has a spectacular appearance, being surrounded by beech, hornbeam, pine and birch forests. The reserve covers an area of ​​three hectares, at an average altitude of 300 m. Its small terraces with patches of grassy vegetation are reminiscent of the prehistoric period, when the entire nature was wild and untouched by man. The "stone organ" is highly sought-after by climbers. The climbing routes in the area are highly appreciated by those who come here to test their limits. In the volcanic stone quarry there are organized routes with a high degree of difficulty, so that only those who are prepared can climb it.

The Cave and Blue Spring of Iza Nature Reserve, because of its mixed geology and landscape, is one of the most visited among the protected areas of national interest in Maramureș County. This area is part of the Rodna Mountains National Park and covers ​​about 100 hectares, and includes caves, rocks and canyons. The name comes from one of the tributaries of the Iza River, whose water is a blue-green rarely found in Romania. Although it is located on the administrative territory of Săcel township, the most accessible route starts from Moisei township, crossing an area of valleys and hills of rare beauty.

The road connecting Maramureș to Bucovina, about 50 km long, reveals one of the most beautiful gorges in Romania. Located at an altitude of 1413 m, the Prislop Pass is steeper in the area of ​​Maramureș County, the slope becoming smoother to the south. The picturesque area, but also the famous Prislop Festival („Hora de la Prislop” Festival), which is organized here every year, attract countless tourists.

The Royal Forest is a green patch of land in surface of 49 ha, which became a seed reserve for oak and larch species in 1964, and in 2000 it was declared a protected natural area, being owned by the Mara Forest District. This forest is special for its unusual blend of tree species: oak, sessile oak and larch, which grow next to hornbeam, wild cherry, hazelnut and blackberry. There are still many monumental oak specimens, over 250 years old, 30 m high and more than 2 m in trunk diameter.

The memorial museum, opened in 1991 in the old parish building of the Reformed church, is a tribute to the first printer in northwestern Transylvania. Totfalusi Kis Miklós was a prominent figure in the Romanian printing industry, being famous for his overwhelming contribution to the printing of the first Romanian books. The famous printer, born in 1650 in Tăuții-Măgherăuș, would begin the studies in his hometown and continued in Baia Mare and Aiud. Although the completion of his studies culminated in obtaining a position of Rector in Făgăraș city, he chose to leave Romania at the age of 30, becoming an apprentice printer in Amsterdam. For two years, between 1684 and 1686, he printed the Golden Bible, a revised copy of the Hungarian Bible. Among the achievements that earned him the title of the most famous engraver and caster in Amsterdam are the editing of the first cookbook and the creation of the first printed Georgian alphabet. Ten years after leaving his home country, he would return to Cluj-Napoca, where he used his valuable knowledge of the art of printing for the management of a book printing house. Unfortunately, some of the printed volumes attracted many enemies, and the unfavorable economic conditions of the time were felt in the declining number of book buyers. The printer passed away in 1702, in Cluj-Napoca. The Kis Miklós Totfalusi Museum presents to the public a valuable museum collection consisting of vintage books, printing press components, alphabet patterns, portraits and lithographs.

Not far from the Church on the Hill, we find the Pleş Peasant Museum. It was opened in 2000 and is arranged in a peasant household that includes a house and a household, the wooden constructions being over 250 years old. The twig fence that surrounds the household and the wooden gate through which offer access, ensure the transition to the simple universe of the country man. In the yard one can view technical installations used by peasants, such as a scutcher, brush, spindle, ratchet, spinning wheel, weaving loom, all used in the processing of hemp. In the barn there are installations used in the processing of cereals, such as a hand mill, an oil press or a corn chopper. The interior of the house features objects that were once found in any home in Maramureș, from kitchen utensils and traditional pieces of furniture, to items of folk costumes or fabrics and icons used to decorate the walls. The pieces from this valuable ethnographic collection belonged either to the Pleş family or to the villagers from Ieud, who donated them to enrich the patrimony of the small museum. 

The Museum of the Romanian Peasant Woman is the only museum in Romania dedicated exclusively to women. The "Maramureș Woman's Museum", as it is also called, was opened to the public in 2001 and includes a household that, both through its interior and its exterior design, pays homage to women. The wooden house on a stone foundation, located in the courtyard, is a telling proof that the things taken care of with dedication and skill survive the time. It was built in 1720 and belonged to Ileana Chiş, the owner's wish being that after her demise, the house be transformed into a museum. The house has traditional household items and furniture, as well as an important textile heritage that includes folk costumes, wedding suits, masks, bags and other pieces that were found in the dowry of the girl, as well as decorative elements. The courtyard is, in turn, a universe of tradition, a ritual area that begins with the passage through the gate carved in Maramureș style, which describes the customs of these places through signs and symbols. On the pillars of the gate we can see a bride and bridesmaids, the rooster, which is also the symbol of the locality, the Dacian flag, the rendering of the she-wolf with Romulus and Remus, as well as a group of women near a cradle, signifying the baptism. In the yard there is a wooden crucifix and a spindle, but also a group of statues that illustrate the woman in all stages of life, from childhood to old age. Another attraction is the tree in the yard, on whose branches the natives hang the housewife's pots, according to local tradition. At the top of the tree we find the red pot, reminiscent of Ileana Chiş, symbolizing that in the household there is a maiden girl.

The Village Museum, part of the Maramureș County Museum of Ethnography and Folk Art, was inaugurated in 1984 and operates outdoors. Its patrimony includes veritable masterpieces of popular architecture, representative of all four "lands" of the county. An imposing Maramureș gate, carved by the popular craftsman Găvrilă Hotico, makes the transition from the city to the village on the hill. The traditional homes and outbuildings gathered in this corner of heaven take visitors back to an era dominated by simplicity, authenticity and beauty.

The name of the museum suggests the destination that this ensemble is trying to describe for its visitors, namely that of a parental home. In fact, the entire ensemble composing this museum and which includes: the house, the barn, the stable, the shed, the wood shed and the coop, once served as a real household. The last host of the traditional household, which is about three centuries old, was auntie Florița from Bozânta Mică. Her descendants decided to donate the ensemble to the Town Hall of Tăuții-Măgherăuș. Once with its relocation it would be arranged as a museum. The museum's patrimony also includes over 300 exhibits that talk about the simple past and the traditional occupations of the locals. This interior collection preceded the arrangement of the museum-house, being initially sheltered inside the Middle  School from Tăuții-Măgherăuș. Over time, the collection has grown considerably through the efforts of teachers Ștefan Rusu and Emil Crâncău, who have dedicated themselves to enriching it. The "Home" Village Museum, beyond the traditional nature characteristic of the hearths of the Romanian nation, offers visitors a sense of familiar comfort, similar to what they once felt in the homes of their parents and grandparents.