The wooden church "St. Nicholas" from Budeşti-Josani

Dating from the 18th century, the wooden church "Saint Mary" in Fântânele is currently dedicated to "Saint Nicholas", being built of wooden beams on a stone foundation, with the usual floor layout consisting of porch, narthex, nave and polygonal altar. The bell tower has an octagonal coif and is covered with sheet metal, ending at the top with a bulb and a simple cross. Inside, the plastered walls are decorated with geometric and floral motifs.

The wooden church dedicated to "The Holy Archangels Michael and Gabriel" was erected in the 18th century and was brought to Dumbrava from the village of Cărbunari. Built of oak beams on a stone foundation, the church belongs to the typology specific to the Lăpuș area, having a porch, narthex, nave and altar. The roof and coif of the bell tower are covered with sheet metal. Inside, the walls are plastered and painted, highlighting the iconostasis painted in the 18th century in the style of the late Baroque. *Photo credit: CJCPCT „Liviu Borlan” Maramureș

The wooden church “The Holy Archangels Michael and Gabriel” from Drăghia was erected in 1706, built from oak wood on a stone foundation, being part of the classical layout consisting of a narthex, nave and altar. The interior painting, made by Petre Diacul from Preluca, is almost completely degraded and urgently needs restoration. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Florin Pop

The small wooden church dedicated to the "Entrance to the Church" in Dobricu Lăpușului was erected in the 18th century, being built of oak wood on a stone foundation. The layout of the edifice includes a narthex, a nave and a polygonal altar. The exterior walls are decorated around the entrance door, while the interior painting has been largely preserved, which is in line with the artistic style of the painter Radu Munteanu. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Florin Pop

Erected in the 18th century, the wooden church "The Holy Archangels Michael and Gabriel" in Dobricu Lăpușului surprises with its layout that reveals a polygonal narthex, but also due to the decoration of the exterior walls, surrounded by a twisted carved belt. Inside, the painting is different in each room. The painting in the nave can be attributed to the painter Radu Munteanu. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Florin Pop

Named "The Little Church", according to folk tradition, this place of worship was erected in the 18th century, having been originally located in Peteritea and then moved to Cupșeni in 1847. The wooden church “The Holy Archangels Michael and Gabriel” surprises by its small size, the turret with the three-sided lower section, but also the lack of a porch. The painting inside is still preserved, except in the narthex, which is whitewashed. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Florin Pop

Although the exact date of its erection is not known, the wooden church "Saint Elijah the Prophet" in Cupșeni dates from the 18th century, observing the classical layout of the churches in this area, with porch, on the western side, narthex, nave and polygonal apsis. As for the interior painting, which is almost completely degraded, the inscription on the altar records the year 1823. The edifice stands out both through the massive bell tower and the staircase that provides access to the tower, whose steps have been carved out of a single tree trunk. *Photo credit: CJCPCT „Liviu Borlan” Maramureș, Florin Pop

Erected in the middle of the 19th century, the apsis belonged to the wooden church "The Holy Archangels Michael and Gabriel" in Cufoaia, of which only the polygonal altar, the stone of the Holy Table and the entrance door are preserved. Around the apsis, located on a hill in the central part of the village, there is an old cemetery, surrounded by fragments of a stone wall.

The wooden church "The Holy Apostles Peter and Paul" in Costeni was built in 1885, having a wooden structure, plastered both on the outside and inside. The coif of the edifice has four turrets and is covered with sheet metal, while the original parietal painting has been replaced in time with a modern one, without preserving the specificity of the time from which the construction dates. *Photo credit: CJCPCT „Liviu Borlan” Maramureș