The wooden church "The Holy Archangels Michael and Gabriel" from Rogoz
The wooden church "The Holy Archangels Michael and Gabriel" from Rogoz

The wooden church "The Holy Archangels Michael and Gabriel" from Rogoz

Biserica de lemn Obiective turistice

282, Rogoz 435611, Romania

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Located right in the heart of Lăpuş Country, Rogoz village boasts one of the most beautiful wooden churches in Maramureş. It was erected in 1663, on the site of a church burned by the Tartars during their invasion in 1661 and legend says that it was built from two huge pieces of woods brought from Popii Hill. The church dedicated to the Holy Archangels Michael and Gabriel is, in general, part of the architecture specific to this region.

Unlike other churches, the Rogoz place of worship stands out through its harmonious asymmetry. The roof, on one level, is much lower in the northern part of the building, providing protection for a table designed to commemorate the dead. The monumental table consists of two beams and is delimited by segments, intended for various families, whose names are inscribed on the north wall of the church. These families respect the tradition and, every year, on Holy Thursday, they bring "dishes", leaving them on the table overnight, so that on the Friday of the Crucifixion of Christ be given to the poor.

The harmonious architectural lines gracefully blend with the unique decorative elements. In addition to the interesting three-ring coif, located above the steeple’s turret we find in Rogoz a beautiful entrance portal to the narthex and a twisted rope, broken by a solar symbol, which runs along the entire south wall.

Unique in Maramureş are, however, the ends of the beams that support the roof, carved in the shape of stylized horses. Those on the southern façade are considered, in the village, to be carriers of the Sun on the celestial vault, and those on the north side are considered carriers of the Sun at night, in the realm of the dead. The altar is provided with a circular window to the east, through which, between  August 1-15, the sun's rays penetrate and illuminate the table of the Holy Altar for 30 minutes. This characteristic individualizes it, placing it next to other monuments in the history of art, which direct the sun's rays towards important symbolic elements.

The monument outstands through the painting executed in 1785 by the painters Radu Munteanu and Nicolae Man. The iconographic appearance is close to the one in Deseşti and is very well preserved. It is interesting to follow one element from the Last Judgment, which is painted in the narthex, namely: the road to Heaven, on which the soul travels, accompanied by an angel. The theme is inspired by a folk belief that speaks of the trials that men go through after death in order to reach God. The church and the people of Rogoz village quickly introduce you into a fairytale world, where the natural and the supernatural seem to blend effortlessly.

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Erected at the beginning of the 18th century, as a place of worship for an important monastic community, the current UNESCO heritage church was the cathedral of Bishop Gavriil of Maramureş. Born in Bârsana, the bishop patronized a monastery school and a book distribution center there. The events that have taken place in the last three hundred years on the Iza Valley have left their mark on the beams of the church in Bârsana, more than on other monuments.  At the end of the 18th century, the imperial court in Transylvania and Maramureş would impropriate the monastic properties and the close down of the monastic communities. This campaign directly affected the monastic community, which was forced to withdraw to Moldova. Left unprotected, the church would be saved by villagers, who dismantled it piece by piece and, around 1800, would rebuilt it on its current site. For a proper reassembly, the beams bear signs that can be admired today. Standing on a pedestal, the beams carved from large oak trunks - from which the walls were built - were joined at the corners in a "swallow's tail" pattern. For two hundred years, the church has been guarding the peace of the people of Maramureş, buried in the cemetery on Jbârului Hill, to the left of the road that starts from Sighetu Marmaţiei, along the Iza River. The layout of the church is rectangular, composed of four rooms: porch, narthex, nave and altar. The apsis of the altar has five sides, being covered with a simple roof. Above the other rooms of the worship place, the roof has two ridges, housing a balcony to the west. The ornaments and the manner in which the western façade is made are identical to those of the porches of traditional houses. The carved wooden decoration uses motifs common in Maramureş, such as the twisted rope or the solar disk. The whole church seems to be surrounded by a twisted girdle, discontinued by a circle-shaped solar motif. After moving to the village, it was painted by Toader Hondor and Ioan Plohod, the iconography of the monument being considered to be the best expression of Baroque and Rococo in folk painting, in this part of the country. The scenes are depicted within stylized medallions binding the entire iconographic ensemble. The impressive wooden church from Bârsana is an example of perfect stylistic unity and an impeccable artistic sense.
Bârsana 437035, Romania